In 2014, bid farewell to the gorgeous and complicated design, ushered in the aesthetics of the five senses of furniture that returned to the basics. In the simple and simple lines, I re-understand the beauty from the furniture, and touched the original touch from the heart.
Extremely free and easy to show ultra-thin aesthetics
This year's Milan Furniture Fair, whether it is furniture, kitchen and bathroom, has a common design language, that is, the ultra-thin design trend, walking in the exhibition, can not help but find a large number of thin-designed visual-oriented works, super Thin is the most obvious feature of the Milan Furniture Fair in 2014. The innovation in styling also brings considerable practicality. For large-scale applications, a wide and long table or chair can be seen in the shuttle exhibition. At the same time, it showed the five years of Europe's loss after the global economic crisis. In order to win the hearts of consumers, it has abandoned the overly gorgeous lines and used the simplest visual form to re-visit the essence and beauty of furniture. The ultra-thin elements also represent the material and technical advancement of the major brands, thus giving the furniture a new look.
After the return to the truth, the era of minimalism is coming
Every year in Milan, the exhibitions are the battlefields of the major brands. However, in 2014, the overall works lacked the atmosphere of the past, and went back to the introverted, simple and minimalist style. The design effort of the designer is weakened. Instead, it is easier for consumers to enter the ideas they want to express in the work. The lines are not cut with sharp and straightforward minimalism. Conversely, a soft arc and The curve becomes the protagonist of the line. For example, the kitchen space of the German brand LEICHT combines the softness and temperature of the space with the combination of shape, color and light. The change of this situation can be interpreted as the coming of the new minimalist era. The works structured by the neat lines show a light space language, yet without losing the stability, and at the same time have the aesthetic advantages of function, form and appearance. The sincere design is freed from the gorgeous packaging language, enabling people to directly touch the designer's intentions in the process of use.
The most beautiful craft aesthetics
Craft aesthetics is the key to achieving a high-quality brand. The more detailed it is, the more it can showcase the brand's extraordinary craftsmanship. For example, Armani/Casa and the famous Italian decoration company Jannelli & Volpi jointly launched an exclusive wallpaper series, different from ordinary paper. The texture of the wallpaper; also from the Italian bathroom brand GLASS DESIGN, the pursuit of the top craftsmanship is even more amazing, its two new works Luna art basin and FLOwer Style series bathtub, in the material breakthrough is better than the past, basin It is made of branded patent material, and the interior is re-integrated with glass and crystal. Finally, the exterior is painted with various colors of concrete to complete the texture like art. The more eye-catching is the Cyprum rose gold material introduced by the bathroom faucet DORNBRACHT. With 18K gold and pure brass, the daily use of the faucet becomes the focus of attention, showing the beautiful texture and first-class taste.
Major brands rush to the home market
As early as a few years ago, the major brands that stood in the boutique field began to look at the home industry. For example, the leading ARMANI and the fur king FENDI, etc., began to deploy their home products line, and they launched a boutique DNA. Cross-domain home design, and Armani/Casa and FENDI CASA derived from this concept are all designed to attack the home market. In addition, there is also the ambitious brand of MERCEDES-BENZ, LAMBORGHINI and ASTON MARTIN. These brands have previously published furniture series, and MASERATI launched a joint name with Zanotta at the 2014 Milan Design Week. The furniture series believes that there will be more cross-domain design in the future home field.
Between open and closed - invisible kitchen
The concept of invisible kitchen began to sprout in the special exhibition attached to the Milan Furniture Fair in the past 12 years. In recent years, the major brands have gradually developed new details, making the storage space of the kitchen look like an invisible, uniform line structure. The visual edges and abruptness, the light graphic design is also a major innovation in 2014, such as the bulthaup's coarse-grained larch wood veneer and flat roller blinds, making obvious obvious changes in the material, allowing the cabinets to The space seems to be invisible, but if it is to be opened, it is quite easy, and a nudge can take out the utensils or food stored in the cabinet. The traditional floor-standing cabinets also disappeared in 2014. All the brands were wall-mounted, which not only weakened the existence of the kitchen, but also re-created the new kitchen line configuration through kinesiology, breaking the limits of the kitchen space. With a lot of detail design, such as the bulthaup square function cabinet, the four facades can be used to enhance the social function.
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